“LOATHSOME LONDON”: RUSKIN, MORRIS, AND HENRY DAVEY'S HISTORY OF ENGLISH MUSIC (1895)
Identifieur interne : 000281 ( Main/Exploration ); précédent : 000280; suivant : 000282“LOATHSOME LONDON”: RUSKIN, MORRIS, AND HENRY DAVEY'S HISTORY OF ENGLISH MUSIC (1895)
Auteurs : Bennett ZonSource :
- Victorian Literature and Culture [ 1060-1503 ] ; 2009.
Abstract
The dystopia of the Victorian city is ubiquitous as a trope of nineteenth- and early twentieth-century literature, appearing across a wide array of literature in fiction, poetry, pamphlets, articles, reviews, socio-demographic works, socialist tracts, and miscellaneous papers. Anti-urbanism plays a prominent role in Dickens, Kingsley, and Gissing, to name but a few, and emerges in more pointedly sociological titles such as Andrew Mearns's The Bitter Cry of London (1883); Thomas Escott's England: Its Peoples, Polity, and Pursuits (1885); Charles Booth's Life and Labour of the People of London (1889–1902); Ford Madox Ford's The Heart of the Empire (1905); and W. W. Hutching's London Town Past and Present (1909) (Lees, in Fraser and Sutcliffe, 1983: 154; Hulin and Coustillas, 1979: passim). Themes of urban degradation, overpopulation, squalor, unemployment, lack of education, despair, and pollution fill their pages.
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DOI: 10.1017/S1060150309090238
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